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New Perspectives on New Media

Archive for February, 2010

CPM watch: major video site getting $20-25

Posted by Daniel Granof on February 26, 2010

The other day I met with the head of a well-known site that publishes lots of videos (viral and series).  He said they are getting $20-25 CPMs for some of their pre-rolls.  For reference:  at that rate a single video getting 100,000 views makes $2,000.  So if you can sell an advertiser on long-tail viewing of a bunch of your videos and provide significant reach, you’re not doing too badly.

By the way, when I brought up rumors of Hulu getting $40, he suggested that the figure covers all of a sponsor’s ads within an episode, not just a single spot.  Is there anyone who can confirm that that’s how it works?

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Cut the cable cord? Says who?! Sezmi

Posted by Daniel Granof on February 22, 2010

A new competitor will try to make it easier for people to cut the cable cord, albeit by replacing it with a new tether.  Sezmi has just launched in L.A., and I’d be dying to try it out if I had a beautiful flat panel TV.  The company does an end-around on cable/satellite with a mix of old and new media solutions.  The old is a digital receiver that picks up channels over the airwaves just like old TV—the company actually leases unused spectrum from local TV stations—so that you can still watch your local stations as always (some cable channels too).  The new is a 1 terabyte DVR and set-top box that delivers programming from several cable channels, YouTube, video podcasts, and on-demand movies and TV shows.  All for about $20 per month plus a $300 outlay for the hardware.  Considering cable TV service can cost upward of $100 per month for many channel packages, Sezmi recoups its costs in a very short time.*

This is an intriguing proposition on several fronts.  For the consumer, Read the rest of this entry »

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ReadWriteWeb, Facebook, and the limits of usability

Posted by Greg on February 12, 2010

The other day, the tech blog ReadWriteWeb published a piece entitled “Facebook Wants to Be Your One True Login“. Shortly afterward, the editors noticed something strange: the post attracted a number of comments from users upset for reasons that had nothing to do with anything the post said:

when can we log in? …

I WANT THE OLD FAFEBOOK BACK THIS SHIT IS WACK!!!!! …

please give me back the old facebook login this is crazy…

I am going to delete my account (IF I CAN EVER LOG IN) as this SUCKS BIG TIME ! If this does not get back to NORMAL you are going to lose a lot of folks who hate this and as you can see from all the comments they think it sucks too !!! facebook was great for connecting with old friends …now, NOT SO MUCH. SO HOW DO I LOG IN ?????????????????????????????????????????????????????????

It turned out that the post had briefly appeared at the top of Google results for the phrase “Facebook login” (as I write this, it’s currently No. 4), and users were clicking on it thinking they were being taken to Facebook. Once they got there, some of them scrolled down to the comment form, saw the Facebook Connect prompt (which reads “Sign in with Facebook”) and were confused when entering their login information didn’t take them to Facebook. Even after RWW put up a disclaimer at the top of the page explaining how to get to Facebook, complaints continued to pour in; there are currently 620 (though most of the later ones are people poking fun at the mistake).

The next day, Jolie O’Dell, RWW’s community manager, did a follow-up post explaining what happened, and trying to draw some lessons from the experience. At a general level, I agreed with most of what O’Dell said: “Users don’t care about what you care about,” “users don’t read your copy or look at your branding,” and “users gravitate toward the simple and the familiar.” It was also classy of her not to simply make fun of the commenters for being dumb. But the fact is, they were being pretty dumb, and I would have liked to see her grapple a bit more with what that says about the usability paradigm. Read the rest of this entry »

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SAG: give your content away for free, but not your acting

Posted by Daniel Granof on February 11, 2010

Sort of the same old at a panel and networking event I attended last night at the Screen Actors Guild, put on by Digital LA.  Meant to teach SAG actors as well as producers, directors, and writers about the how-tos of doing online video, it covered well-trodden ground, almost as if it we time-warped back to February 2009.  To a person, the panelists all advocated getting your series up on the web, marketing it 24/7 to build a meaningful audience, and then seeking partnerships that monetize the eyeballs.

The most interesting moment for me came during Q&A.  An actor putting out a web series told of how she got all her friends to work for free as crew and asked, so is it okay to use SAG actors and have them work for free?  Mark Friedlander of SAG’s new media department responded by promoting SAG’s fantastic and simple new media agreement that producers can use to negotiate in place of the union’s arduous processes meant for large TV and film studios.  But when the moderator followed up by asking, “So can actors work for free?” he responded, “No, not for free.”

The paradox between subject matter and location crystallized right then.   SAG hosts a panel advocating the “build it and they will come” model, but apparently it doesn’t have the same faith in such a model for its actors.  You can’t blame SAG for that position since its mission is to protect actors.  But it does highlight a kind of NIMBY phenomenon in online video.  Everyone says, “You give your stuff away for free, but of course I’ve got to get paid.”  Not exactly a sustainable, long-term ecosystem.

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Monster.com chases its own scale

Posted by Greg on February 9, 2010

I remain puzzled by Monster’s decision last week to buy HotJobs from Yahoo for $225 million. I should say at the outset that I’m hardly a disinterested observer; my own employer makes a good chunk of its revenue from a niche job board that competes with both companies. But it is precisely that perspective as a competitor — as well as that of a hiring manager and job seeker — that leaves me scratching my head. Monster’s official explanation for the purchase offered the type of blather you’d expect about the benefits of size and “efficiencies”. But while scale obviously has some importance for job boards — if no one’s coming to your job board, then no one else will either — the medium also experiences rapidly diminishing returns. In other words, there’s a huge risk of being huge, specifically, that it will make it harder for job boards to achieve their core purpose of matching employers and job seekers.

In one sense, job boards are similar to other types of advertising markets, but while a typical advertiser is looking to sell as much product as the audience is willing to buy, an employer advertising a job has a very limited inventory; namely, a single open position. And it’s not like they can just give that position away on a first-come, first-serve basis, or sell it to the highest bidder. So as the scale of responses increases, so does the work the employer has to do to process them and pull out the top candidates.

What does that mean in practical terms? As a hiring manager, I’m reluctant to post a listing on a mass job board, since I know I’ll get inundated with responses, many of which will be a poor match. As a job seeker, I’m reluctant to apply for those jobs, since the odds are very good my resume will get stuck at the bottom of a large pile. That disconnect has allowed niche job boards like ours to cut into the business of the market leaders by promising employers an applicant pool that is more relevant but also more manageable.

So does that mean the Monsters of the world should be acquiring niche sites? Well, that might be a better use of their money than buying HotJobs, but if niche sites are successful, they ultimately bump up against the same scale constraints as the big boys. A better strategy is to move beyond the “classified ad” approach and try to figure out a better way to match up employer and applicant. For example, in this video, eHire CEO Ben Sabrin explains how his company is looking to move from “searching” to “matching”: Read the rest of this entry »

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MTV = TMI*

Posted by Greg on February 9, 2010

I know that as a child of the ’80s, I’m contractually obligated to complain about the fact that MTV doesn’t play music videos anymore, and now has apparently removed the words “music television” from their logo. But really, who cares? MTV is a business, not a Gen X nostalgia factory. I heard their director of programming speak a few years ago, and he said that their shows get 10 times the viewers as their videos. That’s why they stopped playing them.

If you want to criticize MTV for anything, how about the fact that the network that had supposedly cornered the youth demographic completely missed the boat on the two biggest trends to hit that market in the past 10 years (MP3s and social networking)?

* For the record, that stands for “Three Meaningless Initials”, though as anyone who’s watched “Jersey Shore” could tell you, the other phrase associated with that acronym is equally appropriate.

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Cuban rains on Internet video parade

Posted by Daniel Granof on February 4, 2010

Mark Cuban has a forceful rebuttal to those who think the Internet can replace cable TV as the main source of video for the average consumer, proving again why Cuban is Cuban.  Currently, according to Cuban (who cites streaming guru Dan Rayburn), both the technology and the dollars needed to stream video simultaneously to large audiences (which he defines as at least a million users) are out of reach for all but the largest of content companies.  It would be cheaper, he maintains, to pay the cable and satellite companies to launch a channel for you. (Mind you, several years ago, launching a new cable channel cost something like $100 million because you had to pay the individual cable operators a per-subscriber dollar amount to put it in their lineup.)

Let’s try to break this down.  Rayburn estimates that Netflix pays about $0.03 per GB to stream.  So Cuban seems to rest his proclamation on the math that streaming even a 250 MB video (15 minutes) to one million users costs at minimum $7,500.  But if you could get a $20 CPM for one ad on that video, that’s $20,000 in ad revenue, which would cover your streaming costs even if your rate was double a large company like Netflix’s.  So I’m not totally buying Cuban’s money argument, although these are admittedly cocktail napkin figures.  As to his point about technological barriers, Read the rest of this entry »

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Alas, Hulu, we knew ye well?

Posted by Daniel Granof on February 4, 2010

So NBC Universal will soon be controlled by Comcast (pending regulatory review and approval).  What does this mean for Hulu—which was founded and is partly owned by NBC and which has taken the lead in commercially successful online video—as well as other free video sites?

The issue is front, center, and controversial because Comcast has recently begun leading a charge against the principles of sites like Hulu that provide TV shows for free.  Last year it announced an initiative called “TV Everywhere” that was short on details but long on a clear purpose:  to stop channels from giving away their shows for free on the Internet, in direct competition with Comcast, which pays good money to said channels so that it can not give it away for free.

A cable TV economics primer:  cable providers like Comcast pay channels a monthly fee to feature them in its channel lineup offered to customers.  So, for example, Comcast pays TNT around $0.90 per month per subscriber to have the channel in its basic cable lineup.  At 24.2 million Comcast subscribers that’s $21.5 million per month, a hefty license Read the rest of this entry »

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